(Source: guccier)

(Source: dr3aming-reality)

overacts:

c:

overacts:

c:

(Source: drousy)

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"There are some people who could hear you speak a thousand words, and still not understand you. And there are others who will understand — without you even speaking a word."

Yasmin Mogahed (via hellanne)

afjfagojaeuoaghg (via seizeexistence)

(Source: queerliness)

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hello-healthy-life:

hmm salad :)

hello-healthy-life:

hmm salad :)

drivethedork asked: I almost forgot how much I love your blog.

My blog would never forget how much it loves you…………..


Jk heh heh thank you lovey, that was really nice to log in to see!



Marina Abramović, Rhythm 0, 1974

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted.  
Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.” 
This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

Marina Abramović, Rhythm 0, 1974

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 

Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”

This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”

This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”

(Source: andrewfishman)

(Source: n0rdlyss)

v-o-g-u-e:

flynnkerrbloom:

LOVE FLYNN GO HERE


OMG HE IS SO BIG NOWWWWW

I love them

v-o-g-u-e:

flynnkerrbloom:

LOVE FLYNN GO HERE

OMG HE IS SO BIG NOWWWWW

I love them

(Source: iheartmirandakerr)